La Gazza Ladra

Gioachino Rossini

b. 1972
b. 1994
He/Him | b. 1979
She/Her
He/Him/His | b. 1983
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He/him | b. 1994
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She/Her | b. 1932
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She/Her | b. 1997
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b. 1989
He/Him | b. 1978
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He/Him | b. 1983
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He/Him | b. 1984
He/Him | b. 1984
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He/Him | b. 1985
He/Him | b. 1985
He/Him | b. 1981
He/Him | b. 1994
He/Him | b. 1994
He/Him | b. 1994
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He/Him | b. 1994
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He/Him | b. 1984
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She/Her | b. 1953
He/Him | b. 1980
She/Her | b. 1932
He/Him | b. 1998
He/Him/His | b. 1991
La gazza ladra (The Thieving Magpie, 1817) is a melodramma or opera semiseria in two acts by Gioachino Rossini, with a libretto by Giovanni Gherardini based on La pie voleuse by Théodore Baudouin d’Aubigny and Louis-Charles Caigniez. The composer Giaochino Rossini wrote quickly, and La gazza ladra was no exception. According to legend, before the first performance of the opera, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts, to complete the composition of the opera. As such, The Thieving Magpie is best known for the overture, which is musically notable for its use of snare drums. The unique inspiration in the melodies is extreme, famously used to bizarre and dramatic effect in Stanley Kubrick’s A Clockwork Orange. Premiered at the Heartland Marimba Festival Academy Out West, Southern Utah University, Cedar City, UT, 2016.

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Length
5:00
instrumentation
Xylophone, five marimbas (marimba orchestra), and snare drum
level
Medium
performance setting
Percussion Ensemble
Crowd Pleaser
Encore Pieces
High School

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