Intermezzo in A Major

Johannes Brahms

He/Him
He/Him
He/him | b. 1995
She/Her
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She/Her | b. 1953
He/Him | b. 1979
He/Him
She/Her | b. 1997
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He/Him
He/Him
She/Her
b. 1989
He/Him | b. 1978
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He/Him | b. 1978
He/Him | b. 1983
He/Him | b. 1983
He/Him | b. 1984
He/Him | b. 1984
He/Him | b. 1984
He/Him | b. 1984
He/Him
He/Him
He/Him | b. 1985
He/Him | b. 1985
He/Him | b. 1981
He/Him | b. 1994
He/Him | b. 1994
He/Him | b. 1994
He/Him | b. 1994
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He/Him | b. 1994
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He/Him | b. 1984
He/Him
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He/Him
She/Her | b. 1953
He/Him | b. 1980
She/Her | b. 1957
He/Him | b. 1998
He/Him/His | b. 1991
Brahms showed a particular talent for the composition of variations, and this is aptly demonstrated in the famous Variations on a Theme by Handel, Op 24, and the ‘Paganini’ Variations, Op 35, based on the theme of the great violinist’s Caprice No. 24. Other sets of variations show similar skill, if not the depth and variety of these major examples of the art. The Six Pieces for Piano, Op. 118, are some of the most beloved items that the composer wrote for the solo instrument. Completed in 1893 and dedicated to Clara Schumann, the collection was the second to last composition to be published during Brahms' lifetime. It was also his second to last work composed for piano solo. Like Brahms' other late keyboard works, Op. 118 is overall more introspective than his earlier piano pieces, which tend to be more virtuosic in character.

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Length
5:00
instrumentation
5.0-octave marimba
level
Advanced
performance setting
Marimba Solo
Collegiate
Crowd Pleaser
Encore Pieces
Outdoor Concert
Recital
Resonant Space
Technical Focus

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