My Fugal Things

He/Him
He/Him
b. 1972
b. 1972
b. 1994
He/Him | b. 1979
She/Her
He/Him/His | b. 1983
He/Him
He/Him
He/him | b. 1994
She/Her
He/Him
She/Her | b. 1932
He/Him | b. 1979
He/Him
She/Her | b. 1997
He/Him
He/Him
He/Him
She/Her
b. 1989
He/Him | b. 1978
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him | b. 1978
He/Him | b. 1983
He/Him | b. 1983
He/Him | b. 1984
He/Him | b. 1984
He/Him | b. 1984
He/Him | b. 1984
He/Him
He/Him
He/Him | b. 1985
He/Him | b. 1985
He/Him | b. 1981
He/Him | b. 1994
He/Him | b. 1994
He/Him | b. 1994
He/Him | b. 1994
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him | b. 1994
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him
He/Him | b. 1984
He/Him
He/Him
He/Him
She/Her | b. 1953
He/Him | b. 1980
She/Her | b. 1932
He/Him | b. 1998
He/Him/His | b. 1991
This solo utilizes a small bit of the theme and chorus from Richard Rodgers’ My Favorite Things. I originally intended to perform it on concerts with an arrangement of My Favorite Things and a Bach fugue. I wanted to give audiences that were new to fugues a familiar tune to latch on to while listening to a ‘modern’ fugue that for the most part followed traditional conventions. The Bach fugue would then be performed last in the set of three, and the informed audience could now listen better with a practiced ear. However, this piece works wonderfully alone, and most audience-goers can hang on throughout the work and find the virtuosity in it, while connecting to the American tradition. ~M.C.

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Length
5:00
instrumentation
5.0-octave marimva
level
Advanced
performance setting
Marimba Solo
Crowd Pleaser
Encore Pieces
Small Space

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